Sonya Yoncheva has been at home on the international opera stages for over ten years. Born in Bulgaria in 1981, the soprano first studied voice and piano in her hometown of Plovdiv before switching to the Geneva Conservatory for her master’s degree.
In 2010, Yoncheva won the "Operalia" competition, further awards such as the ECHO Klassik in the category Newcomer of the Year (2015) as well as the Reader’s Prize of "The International Opera Awards" (2019), followed. Her engagements have taken the soprano to all the renowned houses of our time: the Metropolitan Opera in New York, the Royal Opera House in London, the Teatro alla Scala in Milan, the Bavarian State Opera in Munich, the Berlin and Vienna State Operas, and the Opéra de Paris, to name but a few.
Her multifaceted repertoire spans works from almost all eras - this demands a great deal of flexibility from the voice, but that is precisely the singer’s main secret, as she revealed in an interview with Oper! magazine. Among others, the soprano shone in the title roles in "Tosca", "Alcina", "L`incoronazione di Poppea", as well as Mimi ("La bohème"), Marguerite ("Faust") or Violetta ("La traviata").
In addition to her stage activities, Sonya Yoncheva has released three successful solo albums exclusively on Sony Classical: "Paris, mon amour" (2015), "Händel" (2017) and "The Verdi Album" (2018).

Tenor Jonas Kaufmann was born on July 10, 1969 in Munich. He learned to play the piano at the age of 8, encouraged by his father and grandfather who passed on to him their passion for classical music, Wagner and singing. Jonas Kaufmann also frequently attended the Munich Opera from an early age and joined his school choir. He then embarked on studies of mathematics, which he abandoned to join, in 1989, the Academy of Music and Theater in Munich. Jonas Kaufmann gets his first important role at the Regensburg Opera where he is Caramello in A Night in Venice by Johann Strauss. Jonas Kaufmann then met Helmut Deutsch who guided him in his vocal development and still accompanies him today on the piano in his recitals. It was during the 2000s that his international career took off with his appearances in particular at the Chicago Opera, the Salzburg Festival, the La Monnaie Theater, Covent Garden, the Zurich Opera, the Staatsoper in Vienna, Munich, La Scala, New York Metropolitan Opera and the Bayreuth Festival. Comfortable in all repertoires, he then became one of the most popular tenors on the international scene.